平仄仄平平仄仄 仄平平仄仄平平 这个是春联吗？ 春联平仄
首先要搞清楚什么是平仄。
平仄，指诗文的韵律。
古代汉语的声调分平、上（shǎng）、去、入四声。“平”指四声中的平声，包括阴平、阳平二声；“仄”指四声中的仄声，包括上、去、入三声。四声特点为：平声平道莫低昂，上声高呼猛烈强，去声分明哀远道，入声短促急收藏。
普通话四声中，分为阴平、阳平、上声及去声。 古代“平声”这个声调在普通话中分化为阴平及阳平，即第一声、第二声。 上声是现代汉语拼音的第三声。 古代“去声”即第四声。 古代“入声”这个声调在普通话中已经不存在。
其次，春联属于诗文里特殊的一种，当然也符合平仄的韵律，下面举一例子：
1.一年四季春常在 万紫千红花永开 横批：喜迎新春
平平仄仄平平仄 仄仄平平平仄平
2.春满人间，百花吐艳 福临小院，四季常安 横批：欢度春节
平仄平平，仄平仄仄 平平仄仄，仄仄平平
另外，人名中也包含平仄的韵律，比如张韶涵（平仄平），李连杰（仄平仄）
平仄是大学汉语言文字学专业 《古代汉语》中音韵学知识
首先平仄音你懂吧，这对联就巧妙的运用了平仄音，NB的是横批。
下面是原文，看看就知道了：
新科进士王熙平，大登科之后又小登科，在京中娶了一位侍郎的女儿。
大礼之日，宾客盈门，纪晓岚也前往祝贺。但是，他的礼物与众不同，送的是副对联。上下联分别是：平平仄仄平平仄，仄仄平平仄仄平。
横批：平上去入。
这下可把王进士难住了，怎么也猜不透什么意思，和其他人讨论半天，也不解其意。
夜深人静了，他在烛光下面，还拿着对联看个不停。新娘出身书香门第，也通晓文墨，她见新郎痴痴地发愣，觉得奇怪，凑过去一看是副对联，仔细看了好久，也像坠到了五里雾中。
等到夫妻行其周公大礼之时，新郎才恍然大悟，大声喊道："我明白了，我明白了！"接着哧哧地笑个不停。
新娘被他笑糊涂了，问道："你明白什么了？"
“我明白那对联什么意思了。"新郎说。
"奥？什么意思啊？"新娘问道。
"主要奥妙在横批里，你听好，我给你再念念： "平！上去入（日），接下来还可以平平仄仄平平仄，仄仄平平仄仄平。....."
新娘听到此处说道：“哎呀！羞死了羞死了。....."赶紧扯被角把脸遮了起来。....
呵呵，纪晓岚就是牛呀。 希望你能看懂！~
你说的应该可以！
是春联的一种格式。关于平仄，一、三不论。二、四分明。没有问题
平仄声没问题
用字用词上对偶对仗就可以，没问题
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求十一个字的春联，要求仄仄平平平仄平平平仄仄。谢谢了！~
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春联是对联的一种。世界上的语言文字怕有上万种吧，但独有汉语言文字才可以作对联。对联经过千百年的锤炼形成了一套独特的规矩。这种艺术特色主要体现在语义和音韵两个方面。
先说音韵。汉字分五声：阴平、阳平、上声、去声、入声。如“妈、麻、马、骂、抹”、“呼、扶、虎、父、福”。前二声是平声（用“—”表示），后三声是仄声（用“｜”表示）。我们平常说话和谐好听，就是不自觉地让平仄搭配起来。如“张三李四”、“三心二意”、“桃红柳绿”，都是平平仄仄结构；而“半夜三更”、“左右为难”则是仄仄平平结构。对联之所以有味，首先就因为它体现了我们汉语中这种平仄和谐的音韵美。
对联有上、下联。用字极其讲究平仄搭配。它用字的平仄规矩有个口诀：上下联，字相等。单联内，平仄间（错开）。两联间，平仄反（平对仄，仄对平）。一三五不论，二四六分明（单数字可平可仄，双数字平仄铁定）。上联尾字仄，下联落脚平。平起仄相连（平起式），仄起平相连（仄起式）。唐朝诗人王之涣《登鹳雀楼》的前两句和后两句，恰恰就是两种格式的两副五字联：
白日依山尽， 仄仄平平仄
黄河入海流。 平平仄仄平
欲穷千里目， ＋ 平平仄仄
更上一层楼。 仄仄仄平平
“欲”是仄声，按规定应是平声，但“一三五不论”，所以可平可仄了。下同。
杜甫的一首绝句就恰恰是两种格式的两副七字联了：
两个黄鹂鸣翠柳，仄仄平平平仄仄
一行白鹭上青天。＋平仄仄仄平平
窗含西岭千秋雪，平平＋ 仄平平仄
门泊东吴万里船。＋仄平平仄仄平
对联还有横额，四个字。但也可不用。如用，也必须平仄相间，并且一般是仄仄平平。照样，一三两字可灵活应用。
其次说语义。对联少则三五字，长则几百字；但有两点必须遵守。一是上下联的词性、句式要相同，即名词对名词，动词对动词，形容词对形容词，等等；动宾结构对动宾结构，倒装结构对倒装结构，排比结构对排比结构，等等。二是上下联的意思不能相同，要互补，要递进。否则，就叫做合掌。合掌是联家的大忌。一般会作对联的人，平仄没问题，词性、句式上也少毛病，合掌之病却往往被忽略了。旧时商家用的一副春联：“生意兴隆通四海，财源茂盛达三江”（现在一些住家也多滥用），就是合掌的典型。
此外，春联是过年用的对联，就必须具有“年味”。年味内涵很丰富，从精神上讲，一要突出辞旧迎新，二要突出喜庆吉祥。春联可概述过去一年的成就，描绘愿景；可歌颂祖国的强盛、社区的和谐，祝福老人健康长寿，儿孙快乐成长；可联生肖交接构思；可按照用联门面性质，住户具体情况起稿。关键是要新，要贴切。
简述了春联的规矩后，再看开头所引两联的毛病何在吧。特大长联属仄起式，其平仄标示如下：
仄仄平平仄仄平平仄
仄仄平平仄仄仄平平
它的词性、句式都对，上联平仄也没问题。问题出在下联，除了“落脚平”对了和“一三五不论”之外，其余“二四六”位置上的四个字的平仄全错了，本来应与上联相对四个字的平声相反，该是仄声的却全成了平声。央视三套那联属平起式，其词性、句式也对了，声韵却错得更厉害。上下联的平仄全相同了，连上联的尾字也成了平声。它的整个联意也有点问题。既然上联涉及生肖交接虎年来，那么下联一般就应对接牛年去。再次，用“莺歌燕舞”来形容“会英雄”，显然不切，太软，“龙腾虎跃会英雄”还差不多。
正因为现在普遍缺乏春联的常识，所以随处可见把春联上下联贴反的现象。一般上联要贴门的右边（一人面对门为准），下联贴左边。因为我国古来文字竖写是从右至左，且有以左为大的习惯。
（参考来自：2010年03月23日 星期二 深圳晚报）
